top of page
  • NicoleDeRosa


Born and raised in New York City, actor, writer, director and singer-songwriter, DAVID DUCHOVNY emerged to become one of the most highly acclaimed actors in Hollywood. The star of Fox Television’s monster science fiction horror hit show The X-Files, David won a Golden Globe Award for Best Performance by an Actor in a Drama Series for his role as FBI Agent Fox Mulder.


His other long running comedy-drama series Californication ended its 7 year run this past summer for Showtime. The alcoholic, drug-abusing, womanizing novelist, Hank Moody marked another seminal character portrayed by David that has made its way into our pop culture lexicon and for whose portrayal he won a Golden Globe Award for Best Performance by an Actor in a Comedy series. The press and the public both agree that Duchovny brings a fierce intellect, a quiet intensity and an acerbic wit to his roles on both the small screen and the silver screen.





Duchovny’s in the middle of a very busy season: He’s riding the success of his new allegorical book Holy Cow (with another novel on the way next year), chasing Charles Manson as a cop in the new ’60s-set NBC drama Aquarius, premiering May 28, and reuniting with Gillian Anderson to bring a little under-the-radar show called The X-Files back to life for a six-episode miniseries which premieres on January 24, 2016 on FOX.





In 2017, he decided to put his acting career on hold so he could focus on his career as a novelist and singer/songwriter.
All Access Music writer, Nicole DeRosa recently talked to DAVID DUCHOVNY while in New York about his debut album, Hell or Highwater and lots more.

Read more or LISTEN to their interview below!





We all know you as FBI Agent, Fox Mulder on the science fiction horror drama series, The X-Files and of course the alcoholic, drug-abusing, womanizing novelist Hank Moody on the HBO comedy-drama series, Californication which have both earned you Golden Globe awards. For those not as familiar with your music, how did that whole chapter begin for you, David? Who or what was the catalyst for you to pick up a guitar, sing and put out an album?

I picked up a guitar about 5 years ago. I always wanted to play an instrument and the guitar seemed like the most fun instrument because it’s mobile. (laughs) I was kind of inspired by the fact that I always tell my kids, you gotta practice something to be good at it and you can’t give up. It’s always frustrating in the beginning because you're no good at it and they look around at the adult world and they see adults doing stuff all the time, they don’t see adults learning stuff…so I thought it might be interesting if they saw me frustrated and incompetent at something aside from being a father. (laughs)

So, that was kind of the impetus of doing it, aside from getting myself to do something that I like with music. I started playing for like five minutes a day and committed to it and within a few months, I started to throw a few chords together and I was able to play a few songs that I liked.


Did you know you always wanted to make an album?

All I ever wanted to do was play some classic rock songs that I grew up liking and then I started to notice that they were not that complicated in terms of chord progression.

Rock and roll is really a basic and great music form and it’s all about the melody and the lyrics. I knew I had the lyrics because I’ve always been a writer, so I wondered if I had the melody too. So, that was really the question, once I found chords that I liked and certain progressions….wondering... can I hear a song over them? Can I hear a melody over those chords? And I guess, I could.

A prodigy can sit down at a piano and just play. That’s not the experience of most people and that doesn’t make a prodigy any happier. It’s just something, that they can do. I think, in my life, I’ve learned a lot more at not being good at stuff than being good at stuff. When you’re good at stuff, you don’t learn much…you just kinda do it.



Can you share with me what your inspiration was for your current single and title track, “Hell or Highwater?”

Well, I mean, I think for me, songs exist for the person who is listening to it. I almost have a superstitious denial of wanting to explicate a song. Because to me, I get to make them what I want.


“When you hear a song…and Paul McCartney is like, “I was eating an orange when I wrote this but I wish it was a strawberry…a strawberry field”. I feel like, I get to make a whole mythology about Strawberry Fields on my own, which is what makes music so great. Once you give someone a song, its theirs.”


My lyrics come out of personal experience or observational experience. It’s not confessional or autobiographical. I intentionally wrote them in a way to be universal so they are open to interpretation and reinterpretation by whoever decides to listen to it. But I think, my songs all deal with very human situations.

I would say the 12 songs on Hell or Highwater are love songs about the greatness and the difficulty of the finding and the losing and the finding again of love. And, I think that is what most songs are about. So, the fact that I think a song means this or that is almost inhibiting the song from it being more than it can be.


Who are your musical influences?

Well, the music that I grew up on influenced me in a way where, even before I could form a G chord….I liked hearing it, so The Beatles, The Rolling Stones (even though, I don’t write like The Stones…) and the later generation of classic rock like, Tom Petty and R.E.M. I also like a lot of funk and soul, even though I don’t write like that. It’s not even stuff I like, that I write like…I would assume, I write like folk music basically and when it’s produced it sounds more like rock music. That’s what rock music is…you add a little blues to the folk music and you electrify it and you got rock music.


Do you remember the first album you bought for yourself? Nowadays everything is so instant with services like Spotify and the like where you just push a few buttons and it’s yours. What album did you save up your money for back in the day?

Yeah, for sure. It's different now, as you say, because first of all, I didn’t have a lot of money and I certainly didn’t have a lot of money to spend on albums. There was a store called, “Free Being”…this hippie store (how good is that name?! …laughs) in Manhattan and I would go in there with like $3.99…this was back in 1971 or ’72 so it was about comparable to now. But, it was money that I didn’t necessarily have, so I would get $4 or $5 bucks together for an album. I couldn’t just get it, so I researched that album since I couldn’t sample it. It was like buying a car (laughs). It was that kind of pressure.

And then I would leave “Free Being” and be like, “I don’t even know if I want it..” (laughs) Then there were things like a KISS album, that were a sure thing.

The first album I bought though, to answer your question was Honky Chateau by Elton John.


What was the first song you fell in love with or wish you had written yourself?

Gosh, yeah, I mean there are so many songs that I wish I had written. For me, I’m just happy that people want to play my songs and sing it better than I can sing it. (laughs)


Who is in your current playlist? You mentioned your kids. What bands or artists have they turned you onto?

“My daughter listens to stuff that I would never get to…3 out of 10, I’ll say, “Hey, that sounds pretty decent.” And 7 out of 10, I’ll say “What the hell…?!?” (laughs) She’s turned me on to alt-J, The Kooks, Arctic Monkeys…my daughter has good taste in music!”


For those that don’t know, you also have a B.A. in English Literature from Princeton University and an M.A. in English Literature from Yale University. You subsequently began work on a Ph.D. that remains unfinished. Any plans to get “back to the books” anytime soon, since you have so much free time on your hands?

If I thought I could, I would, but honestly…I would have to get in that mind set. And it would have to be a serious year or two where that was all that I was doing. It’s not really where my heart is right now. I wish I’d done it as I consider myself someone who finishes things. That’s something I didn’t finish and something I don’t think I’ll ever finish, so it’s a little out of character for me. So there it is…it happened, or it didn’t happen. (laughs)

“I gave a talk to some students at Harvard as one of our first shows was in Boston and they gave me an honorary member diploma. It was an honor and a sweet gesture, so I consider myself a professor now, without a Ph.D.”



Can you tell our readers & I a bit about your upcoming historically based cop drama, Aquarius?

I love that project because it was really a cable project that NBC and the network decided to take a chance on and they decided to stream it when it starts on May 28, 2016 and you’ll be able to view it in its entirety. It’s the kind of show that doesn’t wrap up week by week. It’s a long form story type of deal. The original idea was to go 5 or 6 years and keep getting people involved in the story.


“It’s really a story about America that goes from the 1960’s to the present with Charles Manson being the symbol of when the ’60s turned dark. We went from the summer of love to the Manson murders.”

And after that, it was like, all these revolutionary movements like flower power and free love, black power, feminism…it all got colored by the fact that, “this is what happens when all these movements happen…murder happens and now we gotta shut it down.” And in a lot of ways, we’re recoiling away from the ideals of the 60s and as a country, it’s very interesting to see that this guy, (who had nothing to do with this) Manson who murdered people, became a symbol for what was wrong with the 60s. So, revisiting the 60s, this symbolic moment, was really fascinating.

I think we as a country and as the world, there were worldwide revolutions during the 60s, it wasn’t just in the U.S. It was a very turbulent time, all over the globe. I think, in America, we keep coming back to it – whether it’s the styles, like the tv show, “That ’70s Show” or “The Goldbergs” or whatever…it’s like, oh, bell-bottoms! (laughs) …Aquarius is different. We keep coming back to the ’60s…it’s like we can never get the answer and I think this is another attempt to find the answer.


Are you excited to get back to filming The X-Files?

Yeah! The X-Files is only like a two and a half month commitment. I’ll be done in the summer and hopefully then I can still go out and do a little music tour.


What’s on tap next as far as music goes? Are you planning a tour?

The nice thing about music is we don’t have to get out there right away with it…it’s not like a movie, where if it doesn’t hit right away, it’s dead. I can let it breathe a bit. I’m sure I’ll play some shows soon.


Update as of 2023:



BOOKS


Holy Cow (2015)




Studio ALBUMS





Recent FILMS


David Duchovny can currently be seen in The Bubble (2022) and You People (2023)

which are both available on Netflix now.




Check out DAVID DUCHOVNY'S filmography on IMDB here.


To learn more about DAVID DUCHOVNY, visit his website HERE




My interview with David Duchovny was originally published for All Access Music, January 23, 2016: https://music.allaccess.com/qa-with-david-duchovny-who-talks-about-his-debut-album-hell-or-highwater-the-x-files-aquarius-and-more






20 views0 comments
  • NicoleDeRosa

Updated: Nov 22, 2022





YELLOW CLAW is a DJ trio from Amsterdam, Netherlands. The group consists of Bizzey (Leo Roelandschap), Jim Aasgier (Jim Taihuttu) & Nizzle (Nils Rondhuis). Their music is a mix of wide range of genres & often incorporates elements from trap music, hip hop, dubstep, hardstyle & moombahton (music derived from house music & reggaeton).

Yellow Claw first gained popularity in the middle of 2010, after founding & hosting the Yellow Claw Thursday night party at one of Amsterdam’s most famous nightclubs, the Jimmy Woo.

The videos for their singles became viral, each gaining over four million views on YouTube​. In 2013, Yellow Claw signed to Diplo​’s label Mad Decent​. They have performed with Diplo & Friends on BBC Radio 1​ & have since played at a number of festivals like: Tomorrowland​, Coachella​ & Electric Daisy Carnival (EDC).


Enjoy my *Exclusive* VIDEO Interview for ALL ACCESS MUSIC with Dutch EDM Artists YELLOW CLAW below...






16 views0 comments
  • NicoleDeRosa

Updated: Nov 22, 2022




Jack Antonoff grew up in Bergenfield, New Jersey. His older sister is fashion designer Rachel Antonoff. His younger sister, Sarah, died of brain cancer at the age of 13 when Antonoff was a senior in high school. The event had a profound effect on Jack who said

"... my whole career has been revisiting that through a different lens."

Prior to Jack forming his indie pop band, Bleachers in New York City he was previously in the Steel Train & Fun.
Fun.'s debut album, Aim and Ignite, was released in 2009. Fun's second album, Some Nights (2012), produced the band's first number-one hit single, "We Are Young" (featuring Janelle Monae). The song was co-written by Antonoff with Nate Ruess, Dost & Jeff Bhasker.




While on the road with his band, Fun., Antonoff began working on a new project during his time in different cities. For about a year he kept the project a secret until 2014 where the first single “I Wanna Get Better” was released.

Antonoff stated in June 2014 that the project had been a consideration for around 10 years & the name was inspired by the "disconnected, darker side" of suburban youth & John Hughes movies, which were "tied to a time when big songs were great songs."

About making the album, Antonoff said,

“I spent the past year working on the music but not talking about it & eventually it became this psychotic alter-ego situation, where it was second nature to have this part of me that no one knew about. Except for a small group of people, most of which happened to be members of my immediate family, no one was aware that this music, or this album even existed … even though it existed so deeply to me.”

Antonoff also cited that Bleachers was never meant to be a departure from his position in Fun. & that he will remain in the band. Bleachers’ full-length album Strange Desire was released July 15, 2014, from RCA Records. Variance Magazine called the single “Rollercoaster” a “brilliant summer anthem.”

Aside from his work with Bleachers & Fun, Antonoff has worked as a songwriter & record producer with various artists, including Taylor Swift, Lorde, St. Vincent, Lana Del Rey, Kevin Abstract, Carly Rae Jepsen, The Chicks & Troye Sivan.

Antonoff has been nominated for a Golden Globe Award & won five Grammy Awards: two for his work with Fun, 2 for production on Taylor Swift's albums 1989 & Folklore & one with St. Vincent for writing the title track on Masseduction.

Taylor Swift took home her third Album of the Year award at the 63rd Annual Grammy Awards in Los Angeles, this time for the surprise July LP “Folklore.” Again, Antonoff, 36, co-wrote & co-produced several songs on the best-selling album of 2020. Antonoff was also nominated for Producer of the Year.

All Access Music writer, Nicole DeRosa got to catch up with Jack 60,000 feet in the air as he answers a few questions about how it all started, his love of R&B & his New Jersey pride. Enjoy their chat below....


My Interview with JACK ANTONOFF



Hi Jack! Where does this interview find you? What’s on the agenda today besides our interview?

I’m on a plane at the moment heading to Vancouver. Bleachers has never been to Vancouver. It's always incredible to go somewhere the first time. You really can’t ever duplicate that energy.


For those not as familiar with you and your music, how did you get your start in music? Who or what was the catalyst for you?

The New Jersey punk scene is really how I got started. I was always in love with the Beatles & then everything from the early 90s when I was growing up.

But, the moment I actually became a part of music was when I started playing in fire halls of NJ when I was 15. Those were amazing days! I learned how to play live, how to function in a scene, how to write song...it was everything. I carry those feelings from that time with me always.


You released Bleachers full length album, Strange Desire last July. What did you learn between Fun. albums that you felt you wanted to infuse into Strange Desire?

Everything I do makes me rethink how I will make records in the future. A lot of the time, particularly with Strange Desire coming off of Some Nights, I made the album in the exact opposite way as the one before.

I like to constantly put myself in new & uncomfortable places when making albums to test what can happen. Some Nights was quick, that’s what was new about that. Strange Desire was made all over the world…on planes, in hotel rooms, buses etc.




Can you share with me what your inspiration was for your single, “I Wanna Get Better”?

It’s basically my life story in 3 verses or rather all the horrible things that have happened in my life leading up to moment of saying that within all that, you can still want to get better.

“It's about stories of loss, depression & anxiety & figuring out how to move on with the complicated person you’ve become. Really it’s about going as deep & low as possible & then still wanting to get better. To me, that’s the top… wanting, not actually getting better, but wanting to get better. That’s a beautiful thing.”

The Huffington Post published a positive review of Bleachers' first single, "I Wanna Get Better"—released on February 18—calling it the "catchiest song of 2014," while Time proclaimed, "[Bleachers] is more fun than Fun." Antonoff revealed the intent behind the debut single in a Rolling Stone interview:

"I wanted to bridge the gap between Disclosure & Arcade Fire—something both streamlined & organic ... The production & songwriting is extremely over-the-top, extremely epic & unapologetic. The record is all about finding a world where you can be kind to yourself in."


Jack, who are your musical influences?

New Jersey is my biggest influence. New Jersey & people. People who overcome the challenges in their lives.


Do you remember the first album you bought for yourself?

Monster by REM. I got it at the mall. Remember that place? So loooong gone.


What was the first song you fell in love with and why?

“Under Pressure” by Queen. I couldn’t believe how cool the melody & production was. It had this quality that made me want to run 1,000 miles an hour while simultaneously cry & think about my life. It’s got everything. It’s a perfect song… deep, anthemic, personal...all of it. It still feels like I’m discovering music every time I hear it.


Who would your dream collaboration be with, living or dead?

Tom Waits.


Who is in your current playlist? Any artists, musicians or genres we might be surprised to find in there?

I’ve really fallen back in love with 90s R&B. That was such an amazing moment. The song writing was perfection & the production feels new & hip even today. A lot of things that seems cheesy now we’re actually fucking brilliant. I like Boyz II Men & Toni Braxton.


What’s on tap next for you, Jack? What are you most excited about in 2015?

I kind of like to just think a few days ahead & this week as I start the tour. Thank god for that! Playing these songs makes me feel alive!

“I’m most excited about the audience & Bleachers. We’re really starting to feel like a weird cult & I’m fully into it! “


Jack Antonoff's MUSIC COLLABORATIONS




"Sweeter than Fiction", a song Antonoff co-wrote & co-produced with Taylor Swift for the film One Chance was released. The song was written in Antonoff's New York City apartment after he & Swift shared a love of a particular snare drum sound from a Fine Young Cannibals song. They brainstormed ideas by email before starting the songwriting process.








Swift & Antonoff co-wrote & co-produced three songs on Swift's 1989, including the single, "Out of the Woods", "I Wish You Would", and the bonus track "You Are In Love".

1989 was released in October 2014 & became the biggest-selling album in the U.S. in 2014. On the deluxe version of the album, Swift explains in a voice memo that the song "I Wish You Would" originated from a guitar track that Antonoff had recorded on his smartphone. After Swift first heard the track, she asked Antonoff if she could develop the idea further & it eventually became an album track after both songwriters were satisfied with Swift's work.



In 2016, Swift, Antonoff & Sam Dew co-wrote Swift & Zayn’s song "I Don't Wanna Live Forever", the song produced by Antonoff, for the film Fifty Shades Darker was released, the song is from Fifty Shades Darker: Original Motion Picture Soundtrack.



Swift & Antonoff co-wrote & co-produced Swift's number one single "Look What You Made Me Do", which was released on August 25, 2017. He was a key contributor to her sixth album Reputation. Aside from "Look What You Made Me Do", Swift & Antonoff also co-wrote & co-produced five other songs in Reputation—"Getaway Car", "Dress", "This Is Why We Can't Have Nice Things", "Call It What You Want" & "New Year's Day".

"Taylor's the first person who let me produce a song. Before Taylor, everyone said: 'You're not a producer'. It took Taylor Swift to say: 'I like the way this sounds.'

— Antonoff, "Jack Antonoff Is Only Making Music With Friends", The New York Times





In 2019, Swift & Antonoff co-wrote eight songs & co-produced eleven songs for Swift's seventh studio album Lover, including the promotional single "The Archer", & the title track, which served as the album's third single.




In 2020, Swift & Antonoff worked together on Swift's eighth studio album, Folklore. Along with Aaron Dessner & Swift, Antonoff serves as a co-writer & co-producer for the album, with Antonoff helping to co-produce six songs & co-write four songs on the album, including the third single "Betty". He continued to collaborate with her on Folklore's "sister record" & Swift's ninth studio album, Evermore.





In 2017, Antonoff co-wrote & produced Lorde's Melodrama which was released in June. USA Today described it as "the best pop album of 2017 so far". Rolling Stone's praises Jack's production specifically, noting that he uses "empty space to spectacular effect, [as] the arrangements veer from stark clarity to delirium."

In support of the album, Antonoff appeared in the music video for its lead single, "Green Light". He then performed "Liability" alongside Lorde on Saturday Night Live. The album also received a nomination for the 2018 Grammy Award for Album of the Year.



In 2018, Antonoff produced the soundtrack for the 20th Century Fox romantic comedy-drama film Love, Simon. Bleachers also contributed four songs.

On working on the ground-breaking film, the first major studio picture to focus on a gay teenager, Antonoff said "I believe Love, Simon is pivotal, a major step for a new generation" & added that he was "honored" that "genius" director Greg Berlanti asked him to work on the soundtrack. He also said he was "very lucky to be a part of [Love, Simon]" & "loved every moment of making this soundtrack" after stating he was "beyond blown away" by the response to the film & soundtrack.



Jack co-produced Lana Del Rey's sixth studio album Norman Fucking Rockwell!, which was released on August 30, 2019. He also co-wrote a majority of the songs on the album including the singles "Mariners Apartment Complex" and "Venice Bitch".

The album received critical praise with NME's Rhian Daly noting that the "bohemian folk" sound of the record was a departure from Antonoff's "brand of crystalline euphoria." Other critics noted the album's 60s inspired, psychedelic rock sound.

The album was nominated for Grammy Album of the Year & won NME Album of the Year in 2020. He also produced her studio album Chemtrails Over the Country Club, released in 2021.




Antonoff co-wrote the 2013 song "Brave" with Sara Bareilles after the two were introduced by Sara Quin of the band Tegan and Sara. Bareilles said to Billboard:

"We met for breakfast one day & I was just so enamored with him & his personality ... The first day we sat down together was the day we wrote 'Brave.'"

Antonoff wrote the song about a friend's struggle to speak openly about his sexuality. The quickly written song was released on April 23 & by the end of June, "Brave" had sold 160,000 digital copies & peaked at number 61 on the Billboard Hot 100 chart. The music video for the song was viewed 1.1 million times on YouTube within a month of its release in May 2013 & by the start of 2015, had received nearly 39 million views. "Brave" was used by Microsoft to advertise its Windows tablet technology device.




In 2015, he created a Google Play docu-series titled Thank You and Sorry, which combined scripted scenes & footage from Bleachers shows. It was released in six 15-minute episodes & included cameos from Lena Dunham, Rosie Perez, Olivia Wilde, Colin Quinn & Jason Mantzoukas.

In 2018, he also contributed to the production of Pink's seventh studio album, Beautiful Trauma & produced St. Vincent's fifth studio album, Masseduction.

In early 2019, he handled production on Brockhampton front man Kevin Abstract's solo album, Arizona Baby.


Mental HEALTH


Antonoff has spoken publicly about his struggles with depression, anxiety & obsessive–compulsive disorder. He claims that hearing of others' battles with depression made him feel "not better, but not alone" & "way less scared." As of June 2014, Antonoff was seeing both a therapist & a psychopharmacologist, while also taking anti-anxiety medications.

He has germophobia which was exacerbated by a bout of pneumonia that he suffered in 2011 while recording a studio album for his band Fun. His pulmonologist prescribed a daily run, but he explained that he hates it "more than anything" because it is "one of the most truly boring experiences on Earth."


Music is central to Antonoff's life & he explained in June 2014:
"I need a hobby & I don't want it to be basketball ... I want it to be music. So to get away from music, I do other music. If I'm producing someone's song or writing with someone else, then doing a Bleachers song or a Fun song is an escape & it keeps me creative & it keeps me locked into what I want to do. If something's making me crazy, I need to go somewhere else & I don't want that thing to be yoga."


Nicole DeRosa for All Access Music, March 23, 2015 https://music.allaccess.com/qa-with-jack-antonoff-of-bleachers/


Photo credit: Daniel Silbert



91 views0 comments
bottom of page